By Wynn-Anne Rossi

Wynn-Anne RossiWhat is a medley? A medley is a mixture. In the three books of Christmas Medleys for Two, the medleys mix two favorite Christmas pieces for piano duet. Writing medleys is fun because they offer open-ended possibilities for endless creativity. In my first holiday music project, I arranged three solo books of medleys titled Christmas Medleys for Students. Christmas Medleys for Two is a follow-up to these solo books.

Why teach duets of Christmas medleys? Performance with a partner is always challenging but twice the fun. These Christmas medleys are a little longer than most Christmas solos. Consequently, these duets offer more breadth of interpretation, and students feel quite accomplished when they play a piece that is a little longer than a short two-page solo. And, this does not have to be difficult! I usually assign holiday music that is a little below the students’ normal performance levels, knowing that they have a limited season of practice. I also offer additional opportunities for performance, encouraging family concerts, nursing home visits, and group gatherings of all kinds.

I discovered lots of choices when arranging these holiday duets as medleys. In some cases, I chose two similar carols and joined them with a bridge, making them feel like one piece. Imagine the festive nature of “Deck the Halls” coupled with “O Christmas Tree” (Book 1). In other selections, I chose two completely different styles to surprise both the performer and the audience. For example, in Book 2, I paired “Silent Night” with “Jingle Bells” to create a refreshing surprise!

My third choice was to create a “mash-up,” blending two carols together in creative ways. One interesting example is “Jesu, Joy of Man’s Desiring” with “O Holy Night” in Book 3. The structure of the score is highlighted in the music example accompanying this article. In the spirit of the season, I have marked the two carols in holiday colors. “O Holy Night” entrances are marked in green, and “Jesu, Joy of Man’s Desiring” entrances are marked in red.

Jesu, Joy of Man's Desiring/O Holy NightBoth the primo and the secondo parts start with red arrows, meaning this arrangement begins with Johann Sebastian Bach’s “Jesu, Joy of Man’s Desiring.” Notice the up/down interval pattern in measure three of the primo. The first entrance of the “O Holy Night” (green arrow) is in measure 10. In measure 11, a similar up/down interval pattern to the one found in measure three appears in the primo. This up/down pattern is a bonding feature that both carols have in common.

Jesu, Joy of Man's Desiring/O Holy NightMeasures 10–27 feature “O Holy Night” with motives from “Jesu, Joy of Man’s Desiring” appearing in the secondo. At measure 28, the two carols begin to speak as one. The primo features “Jesu, Joy of Man’s Desiring” while the secondo clearly focuses on “O Holy Night.” However, motives from both pieces appear in each part. Notice the eighth-note follow-through in measures 38–39 and 42–43 of the secondo. At measure 44 of the secondo, the up/down interval pattern reappears. Finally, there is a lovely echo of “Jesu, Joy of Man’s Desiring” in measures 59–61 of the primo. These two beautiful compositions could not have been more compatible and fulfilling to transform into a medley.

I wish you and your students a fabulous musical adventure as you enter the holiday season. May these Christmas Medleys for Two bring added enjoyment to lessons and performances.

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